In a panicky chorus, we see Jim and Sam “unraveling, unraveling,” and we expect the song to swing in the same direction, but the locomotive of a beat never lets up. “I’ve got secrets / Too big / To hide under floorboards in my head,” they worry together, placing these skeletons, too large for their floor, firmly in their closet. In “Unravel,” Los Angeles husband-and-wife folk duo Jim and Sam imagine an ancient drum machine and put to it the words of their deepest insecurities. The track is anchored by one ceaselessly repeated phrase, “wastin’ away.” It is through the unfeigned repetition of these two words that we can begin to understand why Indians never die. “Indians Never Die” works to reshape the way many of us think of heritage, identity, and human connection. Even though her ancestors don’t physically live forever, the customs and teachings they passed down are boundless.
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When she cries out, “Do you ever notice what’s around you? / When it’s all there, in the wake of you,” she is declaring the immortality of her people. Paul transforms anguish into something powerfully eternal. The third single off the album, “Indians Never Die,” probes these kinds of questions. What does it mean to grow up within a group that so genially protects Mother Earth, when society has inflicted so much harm onto it? How do you identify as a member of this community when you too are constantly evolving?
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The record is a reflection of self/identity, loss, and what it means to belong to a place and a people whose face has been tainted over time. Portland musician, Katherine Paul aka Black Belt Eagle Scout is one of those artists, and her debut album, Mother of My Children belongs to that rare breed. Have a listen and re-enter that place.Ĭertain performers possess a kind of earnest delivery - one that meets our ears in a deeply harmonious manner and allows us to better understand both the world and ourselves. It’s racing towards a feeling of deep exhilaration while sitting still. “Wildflowers” is feeling like you’re walking barefoot on a warm, cloud-like surface only to look down and realize you’ve been walking on cold concrete with heavy boots. It cultivates an ideal balance between rich, maximalist production and a stripped-down sound that evolves organically with each passing moment. The track seethes with astral textures, layered synths and lavish yet earthy percussion. Instead of aiming to tell us exactly what each of their made-up settings might look like, they tell us what it feels like to enter that abstract space. French producer, Zimmer, and Sydney-based singer Panama’s recent collaboration, “Wildflowers” takes a different approach to this very concept. This perfect place exists nowhere besides in our own heads. It’s nearly impossible to jot down or sketch on paper. A setting that lies somewhere in between make-believe and a place we’ve actually been.
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We all have an imaginary place of escape. Look out for the group’s debut album, Modern Animal, out August 16.
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Bold and intricate, “Modern Animal” proves Magic City Hippies knows how to keep the party going. There's confidence in vocalist Robby Hunter’s croon as he sings “I'm just another modern animal” repeatedly throughout the chorus, a line meant to celebrate letting go of reservations and giving into intuitions-at least until the sun comes up. A funky bass line and horn solo add vibrancy, while the effervescent scale of the bridge emits power and carefree abandon, like a casual prowl through Miami’s streets at night. The instrumentation is colorful and surprising. The arrangement encourages you to lose yourself in it, seamlessly weaving together jazz, soul, EDM and indie influences over a pulsing beat. The newest single from Miami’s masters of indie funk, Magic City Hippies, “Modern Animal” defies moods and genres. Lush with psychedelic soundscapes and infectious grooves, “Modern Animal” is an electro party anthem for hot summer nights.